Steve Jobs for Pope?

Last week i found myself wondering whether Apple aren’t the Catholic Church to Microsoft’s C of E. Think about it. Unloved and uninspiring as the Anglican Church may be, people have historically relied on it to do the necessary business of baptising, marrying and burying them. Ditto Microsoft for office work.

The Catholic Church does the same stuff as the C of E but somehow comes across as slicker and more opulent and also – in Britain at any rate – has a certain underdog glamour. The religion of oppressed Irish peasants and all that. Ditto Apple in comparison with Microsoft. Their stuff costs more but is stylish. And somehow – or so it’s implied – choosing Apple means you’re a bit of a maverick, rather than a company bod.

Like the Catholic Church (in the past if not now) and unlike the C of E, Apple succeed in inspiring fanatical loyalty in their believers. Indeed this is where these thoughts of mine originated. In a fit of optimism last week i decided to upgrade the operating system on my iPhone to the latest version, ios4. Not only did i lose my contacts, settings, passwords and data but i also discovered that my backup had been overwritten by another backup, apparently initiated spontaneously by iTunes.

Nightmare, but not especially amazing. I’ve had plenty of IT disasters before. What was amazing were the attitudes on display in answers to the desperate pleas for help that had been posted by people who’d gone down this road before me (and suffered similar data losses). Over and over again these sinners were admonished for having the temerity to suggest that Apple hadn’t tested the upgrade properly for the older 3G iPhone, for daring to suggest that an Apple backup is perhaps not all it should be and for in any way suggesting that Steve Jobs is not the Son of God. OK, i made that last one up.

The more i think about it the more it all makes sense. Linux users, of course, are the Protestants of IT, ranging from Methodists (Ubuntu) to crazy holy rollers (obscure distro of your choice).

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Four poems about fruit

Some people make pies from fruit, others crumbles and yet others poems. Just recently, I was re-reading a selection of poetry by the Bengali poet Jibanananda Das which i found on the Internet some time back and one poem in particular struck me:

Tangerine

When once l leave this body
Shall I not come back to the world?
If only I might return
Upon a winter’s evening
Taking on the compassionate flesh of a cold tangerine
At the bedside of some dying acquaintance.

(tr. unknown)

I was quite taken aback by this association of tangerines with death. Thinking about it, i realise that like most British people of my generation and background i connect them with Christmas. When i was a child that was the only time we ever ate them. They have always conjured up ideas of plenty, celebration, lightheartedness and hope. Now, juxtaposed with that is a picture of deathbed. For some reason i imagine the occupant’s hand to be cold and damp, like the tangerine itself.

Jibanananda Das was a great favourite of mine when i was at university. The slightly alien quality of his world resonated with me and i loved his sensual and yet sinister imagery: his poems were full of deer, grass and hands. The language was strange and oblique which appealed to me: i felt for once my lack of understanding of Bengali didn’t put me at such a disadvantage. In fact, it thrilled me that i could feel his distinctive style.

Another poet i discovered around the same time – actually probably a year or two earlier – and who appealed to me for similar reasons was Francis Ponge. His style was different: the poems were like free verse essays, almost extended dictionary definitions of the objects at their centre. One of my favourites was about blackberries:

Les Mûres

Aux buissons typographiques constitués par le poème sur une route qui ne mène hors des choses ni à l’esprit, certains fruits sont formés d’une agglomération de sphères qu’une goutte d’encre remplit.

Noirs, roses et kakis ensemble dur la grappe, ils offrent plutôt le spectacle d’une famille rogue à ses âges divers, qu’une tentation très vive à la cueillette.

Vue la disproportion des pépins à la pulpe les oiseaux les apprécient pue, si peu de chose au fond leur reste quand du bec à l’anus ils en sont traversés.

Mais le poète au cours de sa promenade professionnelle, en prend de la graine à raison : « Ainsi donc » se dit-il, « réussissent en grand nombre les efforts patients d’une fleur très fragile quoique par un rébarbatif enchevêtrement de ronces défendue. Sans beaucoup d’autres qualités, – mûres, parfaitement elles sont mûres – comme aussi ce poème est fait. »

Or, in English :

Blackberries

On typographical bushes constituted by the poem along a road which leads neither beyond things nor to the spirit, certain fruits are formed by an agglomeration of spheres filled by a drop of ink.

Blacks, pinks, khakis, all on a cluster, they look more like members of an arrogant family of varying ages than a very lively temptation to pick them off.

Given the disproportion of the seeds to the pulp, birds find little to appreciate, so little in the end remains by the time it has travelled from the beak to the anus.

But the poet on his professional walk mulls this over in his mind: “Clearly,” he says to himself, “the patient efforts of a very delicate flower succeeds to a large extent although protected by a forbidding tangle of brambles. Lacking many other qualities – blackberries are perfectly ripe – the way this poem is ready.”

(tr. Serge Gavronsky)

Very French! I’m not sure how i would feel about a poem like this if i encountered it for the first time now, but at the time i was enchanted by the way in which Ponge made ordinary things seem strange and perplexing; the way he made you look at things close up and at the same time distance yourself from them, so that you saw them for what they were and not for what they were to you. Blackberries reminds me of one of a postcard i have on my bookcase which shows a shoal of sperm captured under a microscope. It’s really rather pretty and people often ask what kind of ‘fish’ they are.

From a minute examination of blackberries to the raspberry as metaphor. This is a poem by my beloved Solveig von Schoultz:

Portrait of a raspberry

Just as raspberry runners travel under the sand
and put out new shoots each year
he had travelled
far from his beginnings, had forgotten
and since he only lived in his outpost,
his remotest rootlet, thought he was new
and singular to the species.
If he’d turned round
he’d have seen similar bushes the whole way:
even in the mother-bush the one he was.

(tr. Anne Born)

We might just as easily say: very Nordic. Schoultz uses images from nature throughout her poetry and in a very simple, yet powerful way. All these ordinary things, she seems to say, all these ordinary lives and ordinary sorrows which go unnoticed and yet matter so much. I can never put into words how much i love her poetry or why i love it so much. It’s often the way though: love eludes analysis just as admiration attracts it.

And that brings me to the final poem by the Turkish poet Oktay Rifat, a new poet to me. I picked up a book of his work during my recent trip to Turkey. The poem is about his love for his wife – but it does mention an apple!

To my wife

You bring coolness to the halls
A sense of space to rooms
To wake in your bed in the morning
Gives me daylong joy

We are two halves of the same apple
Our day and night
Our house and home are one
Happiness is a meadow
Where you tread
It springs to life
Loneliness comes from the road you go down

(tr. Ruth Christie & Richard McKane)

Four poems more or less about fruit: tangerines, blackberries, raspberries and an apple. Imagine a crumble made from those!