What makes things memorable? Why is it that when you cast your mind back you can recover a memory of a walk down a dark street but not the day that preceded it? Obviously, some things are inherently memorable – most people are going to remember getting married, giving birth, surviving a plane crash – but what about all those other memories that seem to settle for no reason at all? The sign for the public library (in English and Welsh) at the top of the street in which my Nan lived for instance. Or the smell of the school changing rooms at middle school – but not the ones at high school.
What for that matter makes things special? Again, for experiences such as the first time you find yourself in love there’s no mystery. But why do we – or I at any rate – sometimes get the same feeling on a walk i’ve done a dozen or more times before through a landscape which, while interesting, is hardly breathtaking?
Sometimes i suppose there’s no real answer. The feeling of specialness is as much about where you are mentally as physically. Other times though i can at least guess part of the reason and that’s the thrill of being surprised. It happened to me last week when i went (on a whim) to a Cafe Oto gig dubbed ‘dj sniff meets Evan Parker, John Edwards & Mark Sanders’ (free jazz/improv musicians).
Thank God for whims: the musicians were wonderful and the dj (a young Japanese man wearing a deerstalker-like hat) was a revelation. This was one of those nights when you all but float home and the next morning wake up feeling overjoyed just to be alive.
The first set had each of the acoustic musicians taking it turns to improvise with dj sniff, a turntable musician (as he calls himself) who showed that it really is possible to make new music from other people’s music – and from all sorts of sounds. At one point he seemed to be playing a dog bark and part of a scream, at others he took drum fills and created new drum fills out of them!
The second set brought all four musicians together and was even wilder than the first. Saxophone, drums, double bass (plucked, bowed, slapped, scraped) and that impassive whirlwind at the turntable.
Still, what i remember isn’t necessarily what i want to remember. I’d like to be able to recall in detail the contours of the improvisations; instead my most vivid memory is trying to find the train station afterwards*. Oh, well…
* Actually, it’s more specific than that: what I remember is the zig-zagging dark street I walked along when I left the cafe.
Eyoki—I liked this piece a great deal, and used it as a takeoff point for a meditation of my own on tomorrow’s blog, 11/28/10. Bill
Dear Eyoki—I miss reading you. I hope you’ll come back on the blog at some point.
All the best,
Thank you, Bill. This was a lovely comment to come back to.