Last month i realised a long time ambition to travel to Paris by Eurostar. What had took me so long? More than the cost it was the perception that Paris was far away. I couldn’t just nip over on the train for the day; yet that is exactly what i ended up doing. It was disorienting to find that this strange city, so different from London, wasn’t far away at all – at least not via high speed train: St Pancras International to the Gare du Nord took just over two hours. Not the most thrilling of journeys, mind: grass, concrete and barbed wire mostly.
I’m not sure what i expected Paris to be like but i know i approached it in a spirit of trepidation. Would it be too big, too busy to be enjoyable? Would the people be as unwelcoming as their reputation suggested? Would it be all Tourist Sights? Or would it feel just like anywhere – that is just like nowhere, just another city full of shops and streets?
In the event it was neither as overwhelming as i’d feared, nor as different as i’d expected… and yet in some ways more different. Walking down from the station i first passed a fifty-something man clad in slit-sided white pantaloons and a tight fitting gold lamé top and then found myself in a street full of Asian shops – that’s Asian in the British sense, i.e. South Asian. There were places with names like “Wembley Foods”. For a moment i felt as though i’d got on a train going the wrong way and ended up in Birmingham or Manchester instead!
But no, i truly was in Paris. Little Pakistan gave way to Middle Eastern shops and then i began to see signs to the Pompidou Centre. This houses the Museum of Modern Art and was on my list of probably-must-see sights. First though it was time to get coffee. When i’d visited France back in the 80s as a teenager cafe owners never seemed to speak English; but this time the proprietor switched to my language the instant he heard my accent. Nor did he seem particularly self-conscious or resentful about this (my other memory of communicating with the French in the 80s was that when they did speak English they gave the impression it was a great concession on their part).
On to the Museum which had some magnificent sculptures by Giacometti, Arp and Calder. The big discovery however was a sculptor i hadn’t heard of called Etienne-Martin: his work included strange sculpted ‘coats’ which reminded me of the armour that Samurai used to wear. In an immensely pretentious section celebrating porn as art i came across a poem i liked. I wrote down a fragment of it:
My image leaves the city… It crushes the fruit against its breasts / It spreads sand over its stomach / It slides fish in between its legs
Love the line about the fish. The artist (and poet?) was called Evelyn Axell.
After the museum i went to see the Seine. To my eyes it was a rather ordinary looking river for such a magnificent city but i did like the way the main road ran alongside it, much lower down than the city itself. The traffic seemed to flow by the city, rather than through it. And the bridges decorated with the heads of lions: wonderful. There were also pet shops – lots of them. I found that amazing, charming even. Think about it: can you imagine coming across streets of little neighbourhood style pet shops in a street right in the centre of London?
Notre Dame Cathedral is on one of the islands in the Seine. It was a disappointing place. From the salvation candles which were available at varying prices depending on the quality of the saint through to the priest waiting in a booth which resembled one of those cubicles you see at banks the whole thing felt like a money-making enterprise. There was nothing spiritual about the cathedral; it felt more like an IKEA store or garden centre, especially with the crowds snaking through the aisles.
The Louvre wasn’t disappointing, but it was bl**dy frustrating! I spent most of my time there lost. Still, i did get to see the Mona Lisa which isn’t as small as i’d been told. The bright colours of the Renaissance paintings in that part of the museum are wonderful but it was far too packed with tourists. I preferred the serenity of the Ancient World – even if, as with the British Museum, the wealth of exhibits is really a testament to colonial looting. Best of all were the turquoise tinted friezes in the Assyrian section. I also visited the special exhibition which traced the history of Saudi Arabia: from prehistoric stone tools through to early Islamic gravestones and beyond.
Then it was back to the Gare du Nord to catch the train home. So much remained unseen! Yet Paris did have one last surprise in store for me: the Gare du Nord has the most extraordinary installation – part sculpture, part machine, part dance, part dream. Impossible to describe, impossible not to watch.
Two more hours or so and i was back in London which felt like a much bigger, fiercer city than Paris despite being much more familiar to me. In fact, what struck me about the latter was that it felt less like a big city and more like a blend of small towns, most of which i never got to see. Next time though…